Credits

Daniel Buren, Photo-souvenir: Point de vue ascendant, November 2021, work in situ, Jardin de la Banque de France, Dijon. Courtesy the artist. © ADAGP Paris. Photo: Bruce Aufrere. →

Daniel Buren, Photo-souvenir: Excentrique(s), May 2012, work in situ, Monumenta 2012, Grand Palais, Paris. Courtesy the artist. © ADAGP Paris. Photo: Daniel Buren. →

Installation view from Daniel Buren’s exhibition Trahisons (Betrayals), 2022. The Tourist, Permanenten, Bergen. Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Daniel Buren’s exhibition Trahisons (Betrayals), 2022. The Tourist, Permanenten, Bergen. Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Daniel Buren, Trahisons (Betrayals), 2022. Self-adhesive coloured vinyl stripes of 8.7 cm wide, wood, and paint, dimensions variable according to site Installation view from Daniel Buren’s exhibition Trahisons (Betrayals), 2022 The Tourist, Permanenten, Bergen. Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Sol Calero, installation view from Los Vestigios de la Turista, 1646 Experimental Art Space, The Hague, 2022. Courtesy the artist. Photo: Jhoeko. →

Installation view of *La Cantina de la Touriste* at Kafé Mat & prat. Bergen Assembly 2022, Convened by Saâdane Afif and curated by Yasmine d´O. Photo: Bjørn Mortensen →

La Cantina de la Touriste, 2022 Mixed media, dimensions variable Permanent installation at Kafé Mat & prat Bergen Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Bjørn Mortensen →

La Cantina de la Touriste, 2022 Mixed media, dimensions variable Permanent installation at Kafé Mat & prat Bergen Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Bjørn Mortensen →

La Cantina de la Touriste, 2022 Mixed media, dimensions variable Permanent installation at Kafé Mat & prat Bergen Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

La Cantina de la Touriste, 2022 Mixed media, dimensions variable Permanent installation at Kafé Mat & prat Bergen Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Claude Debussy Standing in the Home of Pierre Louÿs, Paris, 1894. © Bibliothèque nationale de France. →

Poster advertising for “Le Phare” Coal Oven, 1926. © Art Deco Ads & Ad Aquam Fontem. →

Installation view from Evenings Lit by the Burning Coals: Claude Debussy’s Last Composition for Piano, The Coalman, 2022 at Gyldenpris Kunsthall Bergen. Courtesy Denis Herlin © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Installation view from Evenings Lit by the Burning Coals: Claude Debussy’s Last Composition for Piano, The Coalman, 2022 at Gyldenpris Kunsthall Bergen. Courtesy Denis Herlin © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Installation view from Evenings Lit by the Burning Coals: Claude Debussy’s Last Composition for Piano, The Coalman, 2022 at Gyldenpris Kunsthall Bergen. Courtesy Denis Herlin © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Installation view from Denicolai & Provoost’s exhibition Eyeliner (Bergen), 2022 The Moped Rider, Bryggens Museum Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Installation view from Denicolai & Provoost’s exhibition Eyeliner (Bergen), 2022 The Moped Rider, Bryggens Museum Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Installation view from Denicolai & Provoost’s exhibition Eyeliner (Bergen), 2022 The Moped Rider, Bryggens Museum Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Denicolai & Provoost, Bleeding Ghost, 2022, drawing for the project Eyeliner, Bergen Assembly 2022, marker on paper, 15.5 x 11.5 cm. Courtesy the artists. →

Denicolai & Provoost, Dark Vador, 2022, drawing for the project Eyeliner, Bergen Assembly 2022, marker on paper, 15.5 x 11.5 cm. Courtesy the artists. →

Dominique Gonzalez-Foerster (with Christophe Van Huffel), Exotourisme, 2002, video, architectural structure with a plywood pedestal, screen, 43 min, installation view from Dominique Gonzalez-Foerster, 1887–2058, K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2016. Courtesy the artist, Esther Schipper Berlin © ADAGP Paris. Photo: Andrea Rossetti. →

Installation view from Dominique Gonzalez-Foerster’s exhibition, 2022 The Tourist, Permanenten Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener →

Installation view from Dominique Gonzalez-Foerster’s exhibition, 2022 The Tourist, Permanenten Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Installation view from Dominique Gonzalez-Foerster’s exhibition, 2022 The Tourist, Permanenten Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Installation view from Dominique Gonzalez-Foerster’s exhibition, 2022 The Tourist, Permanenten Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Dominique Gonzalez-Foerster, Exotourisme - Concert Textodrome, 2019, concert performance, Centre Pompidou, Paris. Courtesy the artist, Esther Schipper Berlin © ADAGP Paris. Photo: Giasco Bertoli. →

GRAU, Cyber-plug, 2021, glass, aluminium, variable dimensions. Courtesy the artists. Photo: Johann Clausen. →

GRAU Bonfire, 2022 Glass and aluminium, dimensions variable Installation view from GRAU’s exhibition, 2022 The Bonimenteur, Bergen Kunsthall Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Installation view from GRAU’s exhibition, 2022. The Bonimenteur, Bergen Kunsthall. Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

GRAU Bonfire, 2022 Glass and aluminium, dimensions variable Installation view from GRAU’s exhibition, 2022 The Bonimenteur, Bergen Kunsthall Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

GRAU, Kiss, 2021, glass, aluminium, variable dimensions. Courtesy the artists. Photo: Johann Clausen. →

George Grosz, Selbstbildnis als Warner, 1927, oil on canvas, 98 x 79 cm. Courtesy Berlinische Galerie. © Estate of George Grosz Princeton, VG Bild-Kunst Bonn. →

Installation view from the exhibition George Grosz: Between Two Self-Portraits, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy Jörg Heiser, Estate of George Grosz Princeton. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from the exhibition George Grosz: Between Two Self-Portraits, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy Jörg Heiser, Estate of George Grosz Princeton. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from the exhibition George Grosz: Between Two Self-Portraits, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy Jörg Heiser, Estate of George Grosz Princeton. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

George Grosz in America, The Sunday Times Magazine cover, New York, November 4, 1973. © Estate of George Grosz Princeton, VG Bild-Kunst Bonn. →

Lili Reynaud-Dewar & Teaching as Teenagers (with Bianca Benenti, Yannis Christ, Isaac Contreras, Guillaume Dénervaud, Galaxia, Jerlyn Heinzen, Coline Mir, Andrea Nucamendi, Arttu Palmio, Claire Van Lubeek, Leo Wadimoff, and Linda Voorwind), Tim and Pete, 2016, performance, Cabaret Voltaire, Zurich. Courtesy the artist. © ADAGP Paris. Photo: Nora Hauswirth. →

Lili Reynaud-Dewar (with Jada Brisentine, Darius Clayton, Hendrik Hegray, Nicolas Murer), Teeth Gums Machines Future Society, 2016, performance, Théâtre des Amandiers, Nanterre. Courtesy the artist. © ADAGP Paris. Photo: Tiphanie Mall. →

Installation view from Gruppo Petrolio’s exhibition, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy the artists, Gruppo Petrolio. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener →

Installation view from Gruppo Petrolio’s exhibition, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy the artists, Gruppo Petrolio. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Installation view from Gruppo Petrolio’s exhibition, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy the artists, Gruppo Petrolio. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Lili Reynaud-Dewar (with Mireille Rias), Interpretation, 2010, performance, Kunsthalle Basel. Courtesy the artist. © ADAGP Paris. Photo: Charles Duprat.) →

Katia Kameli, exhibition view from What Language Do You Speak Stranger?, The Mosaic Rooms, London, 2016. Courtesy the artist. © ADAGP Paris. →

Katia Kameli, exhibition view from What Language Do You Speak Stranger?, The Mosaic Rooms, London, 2016. Courtesy the artist. © ADAGP Paris. →

Installation view from Katia Kameli’s exhibition Stream of Stories, 2022 The Moped Rider, Bryggens Museum Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Katia Kameli’s exhibition Stream of Stories, 2022 The Moped Rider, Bryggens Museum Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Katia Kameli’s exhibition Stream of Stories, 2022 The Moped Rider, Bryggens Museum Bergen Courtesy the artist. © ADAGP Paris, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Jessika Khazrik, VRLAMXXAB8ND, 2020, installation view from Kunsthalle Wien, Vienna. Courtesy the artist. →

Installation view from Jessika Khazrik’s exhibition, 2022. The Fortune Teller, Østre, Bergen. Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Jessika Khazrik’s exhibition, 2022. The Fortune Teller, Østre, Bergen. Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Jessika Khazrik’s exhibition, 2022. The Fortune Teller, Østre, Bergen. Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Lars Korff Lofthus, Landskap med kjenge, 2020, acrylic, pigment on paper, 110 x 75 cm. Courtesy the artist. © Hordaland Kunstsenter. Photo: Bent Rene Synnevåg. →

Lars Korff Lofthus, Kjenge med lateks, 2021, wood, acrylic, oil, lacquer, 30 x 50 x 25 cm. Courtesy the artist. © Hordaland Kunstsenter. Photo: Bent Rene Synnevåg. →

Lars Korff Lofthus Untitled (sjølvportrett) (Self-Portrait), 2018 Acrylic paint and pigment on paper, 110 x 75 cm Installation view from Lars Korff Lofthus: Self-Portrait, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy the artist, Collection Øyvind Helleland. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Lars Korff Lofthus Untitled (sjølvportrett) (Self-Portrait), 2018 Acrylic paint and pigment on paper, 110 x 75 cm Installation view from Lars Korff Lofthus: Self-Portrait, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy the artist, Collection Øyvind Helleland. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Lars Korff Lofthus Untitled (sjølvportrett) (Self-Portrait), 2018 Acrylic paint and pigment on paper, 110 x 75 cm Installation view from Lars Korff Lofthus: Self-Portrait, 2022 The Professor, Faculty of Fine Art, Music and Design, UiB (KMD) Bergen Courtesy the artist, Collection Øyvind Helleland. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Installation view from Bernhard Martin’s exhibition, 2022 The Bonimenteur, Bergen Kunsthall. Courtesy the artist. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Bernhard Martin’s exhibition, 2022 The Bonimenteur, Bergen Kunsthall Courtesy the artist. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Bernhard Martin’s exhibition, 2022 The Bonimenteur, Bergen Kunsthall Courtesy the artist. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Bernhard Martin, Ich dachte es wäre eine Tür, 2016, oil on primed raw canvas, 65 × 55 cm. Courtesy the artist. © Dittrich & Schlechtriem Berlin, VG Bild-Kunst Bonn. →

Bernhard Martin, La Gardinière, 2021, oil on primed raw canvas, 65 x 55 cm. Courtesy the artist. © Dittrich & Schlechtriem Berlin, VG Bild-Kunst Bonn. →

Augustin Maurs (with Evo Ensemble), Le petit livre-meurtre, 2017, performance of music piece for voices, artQ13, Rome. Courtesy the artist and artQ13. →

Augustin Maurs, I Have No Words: For Propaganda Loudspeakers and Singing Voices, 2018, horn loudspeakers, scaffolding, amplifier, 400 x 50 x 300 cm, installation view from Busan Biennale 2018. Courtesy the artist. Photo: Gabriel Lester. →

Augustin Maurs NOTHING MORE, 2022 Coal, voice, and speaker Installation view from Augustin Maurs’s exhibition, 2022 The Coalman, Gyldenpris Kunsthall, Bergen. Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Augustin Maurs’s exhibition, 2022 The Coalman, Gyldenpris Kunsthall, Bergen. Courtesy the artist. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Augustin Maurs with Volve Vokal: Julie Ayouti, Suvi Bloss, Ranveig Brekke, Birte Linn Dyrdal, Benedicte Sofie Figved, Cathrine Aarø Fosseide, Maren Edvardsen, Liv Heidi Ekre, Milena Górska, Kaja Linder Henriksen, Vilja Marjatta Kjersheim, Gudrun Kringlebotn, Malin Kvalevåg, Ingvild Aurlund Lossius, Anja Moe, Åsta Dyrnes Nordø, Ingrid Nyhamn, Hedda Østgaard, Thea Meidell Sjule, Vilja Skårset, Hanne Terese Skjervheim, Hilde Storebø, Christina Telnes, Hanna Edvardsen Thuv, Siri Vermedal-Skjold, Hild Vang, and Signe Wiger NOTHING MORE for voices and organ, premiere of the composition at Domkirken Bergen, September 9, 2022 As part of Augustin Maurs’s exhibition, 2022 The Coalman, Gyldenpris Kunsthall Bergen Courtesy the artist, Volve Vokal choir. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Protektorama, Protekto Arran [5.5.6] WorldHealingForest, 2015, performance, Transmission Gallery, Isle of Arran. Courtesy the artists. Photo: Tor Jonsson. →

Protektorama, Protekto.x.x 5.5.5.1 Precipitation, 2017, 3 light boxes, digital prints, 2 sculptures on tables, carbon fibre, artificial hair, leather collar, tin, indium, gallium, 3 audio tracks, 2 browser-based animations, laptop, tablet, raspberry pi, and smartphone, variable dimensions. Courtesy the artists, Kunstverein für die Rheinlande und Westfalen Düsseldorf. Photo: Katja Illner. →

Protektorama globalis toxic [5.5.5.7] Lyderhorn Lifeline, September 17, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Bjørn Mortensen. →

Protektorama globalis toxic [5.5.5.7] Lyderhorn Lifeline, September 17, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14, Bergen. Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Bjørn Mortensen. →

Protektorama globalis toxic [5.5.5.7] Lyderhorn Lifeline, September 17, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Bjørn Mortensen. →

Installation view from aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14, Bergen. Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. →

Schwarmwesen geopathologos [6.1.7] Bryggens Beifang, September 10, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Schwarmwesen, Exoskeleton, 2015-ongoing, modified backpack, souvenirs, paint, bicycle tube, and camera pods, variable dimensions, Kraupa-Tuskany Zeidler, Berlin. Courtesy the artists, Kraupa-Tuskany Zeidler Berlin. Photo: def images. →

Schwarmwesen, Exoskeleton, 2015-ongoing, modified backpack, souvenirs, paint, bicycle tube, and camera pods, variable dimensions, Kraupa-Tuskany Zeidler, Berlin. Courtesy the artists, Kraupa-Tuskany Zeidler Berlin. Photo: def images. →

Schwarmwesen geopathologos [6.1.7] Bryggens Beifang, September 10, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Installation view from aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Transformella malor, Transformalor Ashing / ZewaArena Ash Diamond Halbzeug 4.4.6.10, 2018, performance, Bärenzwinger, Berlin. Courtesy the artists. Photo: Johanna Landscheidt. →

Transformella cinis, exhibition view from Cinis’ Forking [4.4.6.10.1], 2021, Kraupa-Tuskany Zeidler, Berlin, 2021. Courtesy the artists, Kraupa-Tuskany Zeidler Berlin. Photo: def images. →

Transformella malor [4.4.6.18] Bergen Ikeality, September 9, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Sasha Azanova →

Transformella malor [4.4.6.18] Bergen Ikeality, September 9, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14 Bergen Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Transformella malor [4.4.6.18] Bergen Ikeality, September 9, 2022 As part of aLifveForms’s exhibition, 2022 An Acrobats, Kunsthall 3.14, Bergen. Courtesy the artists. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Installation view from Shirin Sabahi’s exhibition, 2022 The Moped Rider, Bryggens Museum, Bergen. Courtesy the artist. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Shirin Sabahi’s exhibition, 2022 The Moped Rider, Bryggens Museum, Bergen. Courtesy the artist. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Shirin Sabahi, Pocket Folklore, 2018, 77 found objects, mixed media, and six modified vitrines, dimensions variable Installation view from Shirin Sabahi’s exhibition, 2022 The Moped Rider, Bryggens Museum, Bergen. Courtesy the artist. © VG Bild-Kunst Bonn, Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Miriam Stoney, I ceased from Mental Fight (Forgive nothing, forget everything), 2021, decorated cake, variable dimensions. Courtesy the artist. Photo: Maximilian Anelli-Monti. →

Miriam Stoney, Debt Verses, 2022. Book, poetry publication in English with Norwegian and Chinese translations. Translated and designed by Ben Wenhou Yu, published by Northing Bergen, dimensions variable As part of Miriam Stoney’s exhibition Debt Verses | Vers om gjeld | 赋债, 2022. The Fortune Teller, Northing Space, Bergen. Courtesy the artist, Ben Wenhou Yu, Northing Bergen. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Miriam Stoney, Debt Verses, 2022. Book, poetry publication in English with Norwegian and Chinese translations. Translated and designed by Ben Wenhou Yu, published by Northing Bergen, dimensions variable As part of Miriam Stoney’s exhibition Debt Verses | Vers om gjeld | 赋债, 2022. The Fortune Teller, Northing Space, Bergen. Courtesy the artist, Ben Wenhou Yu, Northing Bergen. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Miriam Stoney, Debt Verses, 2022. Book, poetry publication in English with Norwegian and Chinese translations. Translated and designed by Ben Wenhou Yu, published by Northing Bergen, dimensions variable As part of Miriam Stoney’s exhibition Debt Verses | Vers om gjeld | 赋债, 2022. The Fortune Teller, Northing Space, Bergen. Courtesy the artist, Ben Wenhou Yu, Northing Bergen. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Nicolas Rösener. →

Miriam Stoney, First Refusal, 2022, nominated for the Vordemberge-Gildewart Award 2022, Vienna. Courtesy the artist. © mumok Vienna. Photo: Klaus Pichler. →

Installation view from Alvaro Urbano’s exhibition The Great Ruins of Saturn, 2022. The Fortune Teller, Østre Skostredet, Bergen. Courtesy the artist, Travesía Cuatro Madrid / Guadalajara / Mexico City, ChertLüdde Berlin. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Alvaro Urbano’s exhibition The Great Ruins of Saturn, 2022. The Fortune Teller, Østre Skostredet, Bergen. Courtesy the artist, Travesía Cuatro Madrid / Guadalajara / Mexico City, ChertLüdde Berlin. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Alvaro Urbano, The Great Ruins of Saturn, 2021, film, 10 min 45 sec. Courtesy the artist. →

Alvaro Urbano, The Great Ruins of Saturn, 2021, film, 10 min 45 sec. Courtesy the artist. →

Alvaro Urbano, The Great Ruins of Saturn, 2021. Film, 10 min, 45 sec. Installation view from Alvaro Urbano’s exhibition The Great Ruins of Saturn, 2022. The Fortune Teller, Østre Skostredet, Bergen. Courtesy the artist, Travesía Cuatro Madrid / Guadalajara / Mexico City, ChertLüdde Berlin. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Attributed to Jan Liszka, A Coal Miner’s Family, ca. 1960, coal 34 x 20 x 10 cm, Zabrze. Courtesy Yasmine d’O. Photo: Estefanía Landesmann. →

Artist unknown, Figure of Saint Barbara, Patron Saint of Miners, Carved in Coal, ca. mid-20th century, coal, 26.7 x 16 x 7.5 cm. Courtesy Yasmine d’O. Photo: Estefanía Landesmann. →

Installation view from Art from the Depths of the Mines, vernacular sculptures by coal miners, The Coalman, 2022 at Gyldenpris Kunsthall, Bergen. Courtesy Collection Yasmine d’O. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from Art from the Depths of the Mines, vernacular sculptures by coal miners, The Coalman, 2022 at Gyldenpris Kunsthall, Bergen. Courtesy Collection Yasmine d’O. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift. →

Installation view from the exhibition Evenings Lit by the Burning Coals: Claude Debussy’s Last Composition for Piano, 2022 The Coalman, Gyldenpris Kunsthall Bergen Courtesy Denis Herlin. © Bergen Assembly 2022 convened by Saâdane Afif and curated by Yasmine d’O. Photo: Thor Brødreskift →

Exhibition view from Shirin Sabahi at Bryggens Museum. Bergen Assembly 2022, Convened by Saâdane Afif and curated by Yasmine d´O. Photo: Thor Brødreskift →

Visual Identity & Design & Code

Neue Gestaltung, Berlin
Pit Stenkhoff, Anna Bühler, Christian Lindermann, Lisa Dannebaum, Fabian Barth

Bergen Assembly
Halfdan Kjerulfs Gate 4
5017 Bergen
open 10am–5pm on weekdays
post@bergenassembly.no
www.bergenassembly.com

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